Posts Tagged ‘Teaching’

GameChanger of the Month, November 2009

Wednesday, December 9th, 2009

The GameChanger of the Month for November goes to Jimmy Biblarz, Mimi Rodriguez, David Kamins and Maya Festinger of Hamilton High School and the teacher, Christina Gutierrez, whose job they saved.   By organizing a campaign that included (administration approved) student protests, stories in the media, a letter-writing campaign, and a formal presentation to the School Board, they were able to keep ‘Miss G’ at their school.MissG2

It is evident from reading the story in the L.A. Times that Gutierrez is the kind of player anyone would want on their team.  It was not the loss of a teacher that stirred the students to action, as much as it was the threat of losing someone who genuinely cares about them.  Biblarz felt extra heartache when he heard Gutierrez was getting laid off (because she lacked seniority).  When his younger sister, Veronica, was out of school for two months with an illness, Miss G made sure she got her homework assignments, and that she was all caught up when she returned to the classroom.  “She just actually cares,” Veronica Biblarz says in the Times article. “Not like the fake pretending to care. . . . She takes it seriously.”

Interesting, isn’t it, that the student calls out ‘fake pretend caring?’   A fact of which every brand should be aware: the b.s. detectors of the networked audience are fine-tuned.  And there is no substitute for authenticity.

One of my improvisation teachers, Scot Robinson, said one day in class, “I hate people who generalize.” He delivered it with such deadpan perfect timing that it got a laugh, but getting a laugh was not the point, the point was this:   Give the gift of specificity. Don’t be a generalizer generalizing.  To hold your audience’s interest, be unique, be remarkable, buck stereotypes.  You cannot accomplish this if you are ‘general’ about your role, your character, or your game.   You cannot accomplish it if you limit yourself to what’s in the script, the employee manual or the teacher’s guide.  If the people in your audience feel they already know you, you will fail to hold their attention.  It’s when they do not know you, but rather, want to know more about you, that you win them over.  It is when they see the the world a little differently because of you, that you create value, and make a difference in their lives.

Applied Improvisation, Part Seven: Spolin’s Protege

Friday, December 4th, 2009

Last in a series…

Gary Schwartz

Gary Schwartz

While at the Applied Improvisation Conference, I drank beer one afternoon with Gary Schwartz, of Spolin.com. Gary is Viola (pronounced vy-OH-la) )Spolin’s protégé, keeper and practitioner of what is, in my opinion, the mother lode of improvisation, the practice built by the grand dame of the craft, the godmother of the game.  Hearing stories about Spolin and her teaching was in itself worth the trip.

Schwartz, who before meeting Spolin had studied to become a mime, described for me how Viola taught (no nonsense, all about interaction, no note-taking allowed).  How she coached (get out of your head!)  How he happened to become her assistant (a random act of kindness on his part).  How long it took him for a real breakthrough to happen (a long time).

He said that Viola was profoundly influenced by a book entitled The Tao of Physics, which is now at the top of my reading list.

Viola Spolin did profound work that that relates improvisation to all human endeavors, and has particular relevance for business in the Networked World.  She said things like:

“Information is a very weak form of communication.”  (GameChangers translation: Meaning lies beneath the surface of things, hidden behind the facade, the artifice, the mask, it is found primarily in the emotions and in the meta symbolism lurking behind the cosmetic layer of information.)

And –

“Creativity is not the clever rearranging of the known.”  (GameChangers translation: Creativity is daring by design, a plunge into the unknown, into the collective unconscious, and into one’s own subconscious.  It is not rearrangement.  It is newness.  It is radical juxtaposition.  Ultimately it is transformation.)

And –

“Talent or lack of talent have nothing to do with it.”  (GameChangers translation: The individual’s ability to interact with, and be transformed by, environment, has everything to do with it.)  “Act on environment, Spolin said, “and environment will act on you.”

And –

“Don’t thank me!   It’s not me!  It’s not ME.  It’s the WORK!” (GameChangers translation: Stay humble, stay focused, and don’t be an asshole.)

Schwartz quoted Spolin as saying of improvisation, “You can’t write about it, it can’t be described that way. You have to experience it.  When you do it, it’s in your bones.”

At Spolin’s suggestion, I’ll quit writing now, and show you pictures–which I’m sure  Spolin would’ve had said is no substitute for the experience either–of improvisers having the experience at Edgefield.  Good name for it, Edgefield.  We like that about it. At the edge of the field, the transformation begins.IMG_5870

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The Healing Manager

Monday, February 16th, 2009

HealingManager1In 1993, William and Kathleen Lundin (pronounced lun-DEEN), business consultants, educators and community activists from Chicago, published The Healing Manager, one of a series of books they wrote during a prominent career working with business groups large and small on management, teamwork, productivity, and all-around organizational health.  The Lundins trademarked a process they called Total Quality Relationships (TQR), which emphasized emotion-based relationships between employees as the key to organizational health and wealth.

The Lundins’ daughter, Carey, a TV and documentary producer (Citizen Kate)in Chicago, read my book recently and got in touch to tell me how many parallels she sees between her parents’ work and GameChangers.  She sent me a copy of The Healing Manager.  I’ve been reading it intermittently, and the more of it I read, the more, I am reminded of a favorite saying of, Derek Miller, one of my improv teachers.  “The story is always happening,” he says,  “before we’re here and after we’re gone.  We’re here to participate in it for awhile.”  Derek is talking about improv performances, but his words could apply to the work we do, or to life itself.  The depth of Derek’s saying really hits home when I read the The Healing Manager.

Ideas about working together collaboratively, of setting ego aside for the good of the community, of honoring everyone’s contributions and developing ‘quality relationships’ with one another–these are nothing new.  They’ve existed since the first six cave dwellers gave themselves a team name (Sabre Teeth?  Fire Monkeys?  Uggtopuss?) and assigned themselves roles and rules for hunting together. (more…)

Vaillancourt’s List 3.0

Monday, September 15th, 2008

 height=The extraordinary improviser and improv theater teacher, Paul Vaillancourt, gave me a list of sayings compiled and passed around the improv community over the years. Legendary teachers Mick Napier and Del Close get some of the credit, though the exact origins of most of these are as hazy as the roots of any folk wisdom. Here are a few of the sayings from what I call ‘Vaillancourt’s List’, with my comments following. As you go about your business, keep these concepts in play: (more…)

Improvising Higher Education

Tuesday, May 27th, 2008

Item #1: The headline in today’s business news reads: “Wake Forest to Drop Standardized Tests in 2009.”

Item #2: A professor at Stanford complains to me recently that “Today’s students are institutionalized grade-making machines.”

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Item #3: The person I know with the most money in his bank account does not have a college degree.

Item #3A: His wife has a PhD., he reads like a maniac, and they strongly support one another in every way imaginable.

Item #4: One of the most brilliant and creative people I know enrolled in college at the age of 14 and has never gotten a degree. He describes himself as a ’serial dropout’. There is, it seems, always a lot of self-designed drama accompanying his dropping out. He says, ‘The ritual and circumstance with which I drop out creates far more value for me, in terms of building awareness for my personal brand, and in terms of the lasting relationships I make with the faculty as part of this dropping-out process than any degree possibly could.” (more…)

Jerry’s Jazz for Junior Improvisers

Wednesday, February 6th, 2008

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My friend Jerry, who for a white farmboy originally from Valparaiso, Indiana, bears quite a resemblance to Spike Lee, teaches music to high school kids in Nashville. Jerry is also a fantastic jazz drummer. Here’s his description of how improvisation begets learning…

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You asked me to explain how teaching beginning jazz improvisation connects to teaching beginning spoken word improvisation.The above 8 measures are part of a 24 measure form or song I passed out the first day of class. Most of these kids had a good idea of how to play their respective instruments which to me means getting a full, round, in tune, sound. As I handed out this music I mentioned the “I” word (Improvisation). This sent shock waves throughout the room and you could feel it. I then explained all of the exits were locked and there was no way anyone could escape. (more…)

An Homage to The Coach

Friday, December 14th, 2007

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COACH JOHN WOODEN PASSED AWAY TONIGHT AT THE AGE OF 99. THIS IS AN UPDATE OF A POST WRITTEN TWO YEARS AGO.

Coaching is one of the most honorable professions there is.  A few money- and headline-grabbing exceptions distort the fact that the fast majority of sports coaches are motivated by factors other than money.  No team can reach its potential without good coaching, and no coach brought more teams closer to realizing their potential than John Wooden, the best basketball coach, and one of the best coaches of any game, who ever lived.

Wooden’s teams changed the the sport of basketball, from a polite Hoosiers-style half-court square dance, to a baseline-to-baseline rampage of disruptive defenses and extreme athleticism., and they have the championships to show for it.  As someone who grew up in Indiana like Wooden did, I always related to how The Coach used basketball as an allegory for life.  That’s how it was for a high school kid in Indiana.  Basketball was life.

Coach Wooden’s teams showed how the game, and not just the game of basketball, any game, should be played.  He was an educator who just so happened to use a basketball court as his classroom.  The players who had the good fortune to play for him got gifts that lasted long after their playing days were over.  Here are some of Coach Wooden’s fundamentals: (more…)