Posts Tagged ‘Sherpa’

The Customer’s Dual Roles

Wednesday, July 7th, 2010

SunMoon1It’s easy enough to see that in a selling scene, a Customer is your Audience.  You, in your role as Seller (and make no mistake about it, everyone in this world sells something) need the customer/audience to support you at the boxoffice, the gift shop, the showroom, the supermarket, the website, or anywhere else you can translate their ‘applause’ into revenue.  This has been true since studly village smithies were putting on a good show by hammering out horseshoes under the spreading chestnut tree.  A good performance gets rewarded by the audience. Selling doesn’t get any simpler than this.

It does, however, get a lot more complex, and in a hurry.  Here’s why:

In selling scenes, the customer plays two roles:  Audience and Scene Partner.  You, as a seller, co-create your selling scene with your customer as your scene partner.   He or she will then, stepping into the role of your audience, pass judgment on your performance.  Thumbs up or thumbs down?  Worth the price of admission or not?  Good collaboration or rocky relationship?  Will you generate positive word of mouth or negative reviews?  Your earnings depend on how your performance is received.

There’s no script for these scenes–at least not one your customer is going to be memorizing and reciting verbatim anytime soon.  You’re going to be improvising.  And this is a fact:  The best salespeople are the best improvisers.

Here are some ways in which good salespeople collaborate with customers on scenes that get a thumbs-up from those same customers:

They keep their scenes lively. They keep the dialogue moving along at a productive tempo.  They yes-and promptly.  They heighten by upping the tempo, the emotional pitch, or both.  They add useful information.  They perform with the awareness that a ‘dead spot’ in the scene now will be judged harshly by the customer-as-audience later.

They make their customer the hero of the scene. An improvisational salesperson is a Sherpa to the customer with some kind of allegorical mountain to climb.  The sales Sherpa has useful knowledge.  Charts a practical course to the summit.   Reads the weather.  Calculates the odds.  Comes well-equipped.  The sales Sherpa gives the gift of support, and in doing so, makes the customer look good.  The role of the sales Sherpa is not the same as playing a second-banana, a sidekick, a best friend, a wing man, a femme fatale or a fall guy.  These are Hollywood movie roles.   The sales Sherpa is exactly what the name defines: a Sherpa.  It’s a Himalayan thing.

They listen. Wow, do improvisers listen.  They hear things the casual listener doesn’t.  They remember the nuances, and use the throw-aways.  They know that the most important conversation of the day may happen on an elevator ride between the first and sixth floors before a sales presentation begins.  They listen with more than their ears.  They observe with all the senses.   And then, maybe then…they speak.   They understand that being silent and being mute are two completely different things, and that sometimes one sees more with one’s eyes closed than with them open.

They respect environment. In selling scenes, you, the seller, are usually a visiting performer in someone else’s theater.  In many ways, the ‘theater’ of a customer’s company is like any other theater.  Theaters have traditions and history that must be respected.  They are influenced by politics and patronage and star players with competing agendas.  They are invariably facing some kind of financial threat.  They are only as good as their last hit, and they have ridiculously high hopes for the next project.  They can be half-looney with romantic intrigue.  The improvisational salesperson sees and respects the arena in which the customer operates.  When performing at the Apollo, touch the Tree of Hope.  When visiting Ireland, kiss the Blarney Stone.

They build relationships. Relationships are the basis of all improvisation.  The relationships between players, between players and environment, and between players and audience, are all intertwined.  The best way to move toward a sale, to generate positive outcomes regardless of the circumstances, is to build and nurture these relationships.   Relationships will see you through the kinds of adversity, and capitalize on the opportunities, that no scripted sales program can predict or anticipate.

In selling scenes, the networked customer is a more potent player than ever.  He or she often knows as much about your product as you do.  Relationships with customers are frequently more sensitive, more fluid and more demanding than they were in the Industrial Age.  Customers use social media to converse frequently amongst themselves in scenes to which you, the seller, are not invited.  You can no longer impose your narrative on the customer, you’ve got to earn an invitation to participate in the customer’s narrative.

So be a Sherpa.  Know the mountain, and your customer will see that the climb is impossible without you.

You Are Not Christopher Guest (And He is Not You)

Monday, August 25th, 2008


CGuest2At lunch the other day at a new sushi restaurant called Sugarfish, my friend, Josh Rose, a creative director at Deutsch Advertising, told me about watching the legendary improviser Christopher Guest (Best in Show, Waiting for Guffman, et al) essentially rip up the script Deutsch had given him for a series of DirecTV spots, and tell its creative team he and his cast were going to improvise everything instead. Guest promised the agency team they’d get ten usable spots worth of material, far more than their contract called for.

He delivered, to excellent effect. The series of commercials starring Guest, who also directed, memorably distinguish DirecTV’s product from that of a fictional blowhard cable company.

Josh took the position that, well, yes, you can get away with something like that if you’re Christopher Guest. And if you’re not Christopher Guest, maybe improvisation isn’t going to be so beneficial.

I wish I had responded by holding the albacore sushi drizzled with ponzu sauce between my chopsticks and said to him with a Kung Fu master’s equanimity, “Yes and Christopher Guest is no Chef Nozawa.” That would’ve been deep. I didn’t. I took the more mundane position that there is improvisation in every business process, and that, while its place in the process may vary–most TV commercial shoots, for example, cannot withstand the amount of improvising that a Christopher Guest brings to a set–there is always an opportunity somewhere in every business process where improvisation is possible, and in most cases, required. As long as you’re going to do it anyway, why not do it well? And as far as the fuss Guest stirred up, who ever said birthing originality was easy?

Josh chewed on his yellowtail for a sec, and I wish I could say he nodded like an eager Chef Nozawa apprentice, accepting every word I said as doctrine. He did not. He told me that he is a ‘plug-n-play’ guy, meaning he carefully measures the opportunity afforded, and calibrates performance to it. Improvisation, he said, can feel too loose and unpredictable.

Maybe that’s when I should have stood and slapped him across the face and and told him to wake up and smell the wasabi. I did not. Instead, I calmly explained that recognition of an opportunity for what it is, and responding accordingly, is good improvisation. The Networked World, I explained, is filled with new opportunities. New plugs that require new plays. This continually-evolving business environment demands improvisation. (more…)