Posts Tagged ‘Reality’

Who Is Josh Weinstein?

Monday, June 21st, 2010

On his excellent MBAStoryteller site (yes! more MBA storytellers!) Nabil Laoudji, who’s in the Sloan MBA program at MIT, posted this 2006 video by Josh Weinstein.

Weinstein’s video demonstrates brilliantly how our perceptions shape our opinions.  That’s the obvious learning.

There are other, subtler ideas expressed in this video, too, which is why I really dig it.  It has lots of subtext:

The absence of knowledge makes perceptions more malleable. Because Weinstein is unknown to his subjects, slight adjustments in his appearance seem to cause wild fluctuations in perceptions (the edits themselves also shape perception, but I’ll comment only with subjects’ behavior here).  Anyone or any brand that seeks to limit knowledge?  This is why.  Manipulation of perceptions.  In a business environment where knowledge is so easily shared and transferred, limiting knowledge in order to manipulate perceptions is not good business.

Consistent character encourages learning. Weinstein’s character, a slightly bemused, inquisitive observer of human nature, seems consistent throughout.  As a storyteller, he uses this truth to get honest reactions from his subjects—that is, because he’s consistently in character, we can be pretty sure the subjects’ reactions are their own, and not something he has manipulated them into doing   Imagine if, instead, he’d played different characters in the interviews—aggressive, stupid, coy, flirty—we would not have been half as interested in or trusting of what his subjects had to say.  He and we would not have learned half as much.

Interrogation is not dialogue. The questions all go one way.  Weinstein does this to control the narrative and make a point.  Generally, however, dialogue is much more productive than interrogation.

This is what a lot of market research looks like. Like market research, Weinstein’s film is a series of snapshots.  It is an interrogation of the audience, not a dialogue.  Because of the way the interviews are conducted, the audience’s multi-faceted responses are nearly all flawed.  It doesn’t matter how much data you have if its facets are flawed and unrelated.  Many facets do not a diamond make. It is the interrelationship of the facets, their connection to one another, that illuminates the stone.

Admit your ignorance. Nearly everyone in the video is willing to guess about Weinstein’s identity, and in doing so they accept a ‘rule of the game’ that underscores their ignorance.  This is a fine storytelling device for Weinstein’s video, but it’s a toxic game in business.  For some managers, however, this is THE  game.  A conversation consists of them waiting for a ‘gotcha’ moment, when they can prove you wrong, ignorant, or both.  People pretending to know what they’re talking about are just as much to blame for this game as those who expose them.   Beware of games designed to show up anyone’s ignorance!  Admitting your ignorance is a first step toward learning.  Guessing, or faking knowledge, is not.  Ultimately, Weinstein’s video delivers the goods in the form of questions answered, but not before he demonstrates just how elusive the goods can be.

Perceptions Lie

Monday, May 10th, 2010

“Here is my secret. It is very simple: It is only with the heart that one can see rightly; what is essential is invisible to the eye.”  – The Little Prince

We recently attended TEDxUSC, an event co-produced by our friend Elisa Wiefel Schreiber.  It was a day of uniformly brilliant presenters in fields like virtual reality, health care, music, and innovation and creativity in the fashion industry.

One of the more profound presentations belonged to Al Seckel, a cognitive neuroscientist and author of The Ultimate Book of Optical Illusions.  The presentation basically consisted of his thesis statement–”One cannot trust one’s perceptions, because perceptions are not reality”–followed by a series of illustrations and short film clips proving the thesis.

The context in which we receive information shapes the information.  The implications of this idea are far-reaching and deep, and touch on everything from politics to product design.

The more ubiquitous information gets to be, the more valuable our ability to contextualize information becomes.  More importantly, if one does not have the ability to think critically about context, to ’see the game,’ he or she will be setting themselves up for manipulation, and will be more likely to act on someone else’s manufactured perceptions than on reality.  And that is where trouble begins.  If you don’t see and act on your own reality, you will surely be subjected to someone else’s.

Look at this.  Then move 15 feet away and look at it again.  EinsteinMonroe2

Which line is longer?PonzoIllusion1

Does the horizontal bar in this drawing change color?HorizontalBarIllusion

(It does not.)HorizontalBarColor

Not Making It Up as we Go Along

Tuesday, May 4th, 2010

Some of my favorite GameChangers are working these days in New Orleans.  As we are going to see eventually with Detroit, artists cannot resist large blank canvases, storytellers chaos, designers dead space, or musicians dead air.  The seeds of innovation are best sowed on dormant ground.  This is where we find the opportunities for new growth, for the expansions of understanding and ability.

This slide was presented as part of a seminar in New Orleans attended and photographed by our friend, Ray Nichols:GodinSlide1

I love a lot of stuff coming out of New Orleans (current bad news about the oil disaster excepted), but I don’t love this slide.  Those of us who design improvisation for business spend too much time already dispelling misconceptions about what we do, and this is the single biggest misconception, that improvisation is “making it up as you go along” a.k.a. winging it, a.k.a. flying by the seat of one’s pants, a.k.a. spewing whatever comes to mind.

In fact, improvisation is specifically not ‘making it up as you go along.’  It is contrary to the idea of making it up as you go along.  It is, rather, a process for acting on one’s environment in a substantive and productive way to generate positive unforeseen outcomes.  One’s environment is not ‘made up’ as one goes along.   It is real, just as the reality of one’s scene partners is real.  They are not making stuff up.  They are dealing with reality, just like you are.   Deal with it.

There are, in fact, many other ways to “make it up”  besides “as you go along.”  There is making it up ahead of time and trying to get followers to go along.  There is making it up after the fact and hoping history goes along.  And there’s making it up in your head, and trying to get your heart to go along.   All of these are realities that must be addressed in any business narrative.

The quote by Godin suggests a divide between planning and spontaneity, between fact and fiction, when in fact business, and life itself, is a balancing act, a continuum, between the two.  Most actions in business are calculated to a fault, and rely too heavily on planning.  (Maybe that is the point of Godin’s quote.)  The purpose, however, of applying improvisation principles to business is not to say, “Forget your planning and your calculations, ignore your research and your institutional memory, because…hey,  we’re going to make this up as we go along.”  That would be disastrous on many levels.  What improvisation says is do your planning but emphasize preparation, because every plan changes, and it’s your ability to adapt to change that will determine your success.

Business improvisation liberates the unconscious mind, but does not disconnect from an awareness of history, environment or context.  It is informed by, but not totally beholden to the numbers, the data, and the rational mind.

The essential message of improvisation is this:  Don’t make it up.  Make it real.  Then act on that reality.

The One Corey

Wednesday, March 10th, 2010

True story: The Two Coreys was a reality series idea I gave Feldman, whom I’d known for years and who had acted in a film I directed. He introduced me to Haim.  Later, Feldman and Haim, in classic Hollywood style, sold The Two Coreys to A&E as their own idea. It WAS their own idea, what they sold was not my idea at all. (Mine was about Feldman getting Haim clean and sober so they could star in a low budget indie film together.) Toward the end of our short phone relationship, I was getting paranoid, threatening calls from a Haim in Toronto, warning me that I had no rights whatsoever to their story. Then he’d call back five minutes later and ask if he could borrow $300 for him “and Mom.” It was very sad and a little scary. I pray he has found peace.

R.I.P. Corey Haim

R.I.P. Corey Haim

Newtonian Formula

Tuesday, November 25th, 2008

A year ago, the town of Newton, Iowa, population 15,000, was in the doldrums. In a pattern that is worth noting because it’s going to be repeated throughout the U.S. in towns large and small as the economy crawls toward new sources of productivity, the town’s largest employer, Maytag Washing Machines, closed its plant and officer there in October of 2007, costing Newton 1,800 jobs, 800 in management and 1,000 in manufacturing.

Newton1

By early 2007, Newton had already seen the writing on the wall, and had begun mapping its evolution–from washing machines to wind machines, as it would turn out. Today, Newton is home to a manufacturing plant for Boston-based TPI, one of the country’s leading wind turbine brands. CBS Evening News covered the story last week. How Newton did it can serve as a blueprint for other similar-sized communities, whose fortunes (and mis-fortunes) are tightly tied to a single large employer. (more…)