Posts Tagged ‘Nike’

Created in America

Monday, August 9th, 2010

In noting President Obama’s rallying cry for a program to support small businesses in America, the White House published the following in the President’s Facebook news feed:

A minority in the Senate is standing in the way of giving our small-businesspeople an up-or-down vote on the jobs bill. That’s a shame. We need to decide whether we’re willing to rise above the election-time games and come together—not just to pass a jobs bill that is going to help small businesses hire and grow but al…so to rebuild our economy around three simple words: “Made in America.”

While we wholeheartedly support a jobs bill that will help small businesses like ours, ‘Made in America’ is an Industrial Age idea that has very little resonance in the Networked World.  Nothing substantial can be built around anything as meaningless as that statement.  Here’s why…MickeyMouse&Abro1

The problem is that making stuff is not what America does any more, not exclusively to ‘Brand America’ anyway.  Stuff gets made all over the world.  What’s the most ‘American’ brand you can think of.  Disney?  Coca Cola?  Nike?  ‘Made All Over the World’ is the truth of these brands, and the same is true for any other brand vibrating on a network frequency.  The Budweiser Clydesdales are Belgians now.  Deal with it.  In light of these new truths, ‘Made In America’ becomes just another piece of empty political rhetoric, designed to dampen disagreement rather than to foster any large-scale agreement around a new economic narrative.

What we need is an idea that will generate new narratives, and new ideas about how to stimulate the economy.

One of our favorite American companies, ABRO Industries, based smack dab in the heartland of America, South Bend, Indiana, with 25 employees and projected 2010 sales exceeding  $150M, does over $40M of sales a year in Nigeria alone with products it manufactures in South America.  Most of ABRO’s products are made outside America, and yet most of the wealth it generates comes back to this country.  How?  It originates the business cycle and the brand.  It creates networks to market its products around the world.

“Made in” is no longer an differentiator for American business.  ‘Created in’ still is.

What makes American business unique, what we can count on every time, is Creativity.  The true American brew isn’t Budweiser,  it’s the idiosyncratic brew of cultures and personal histories that make the American narrative unique in the world.

What matters about Disney is not where it’s made.  After all, its primary product, happiness, can be conjured up anywhere in the world.  What’s unique and irreplaceable about the Disney brand is that it was created in America, born out of the imagination of a Scotch-Irish Socialist-Farming Depression-Era Cartoon-Making Hollywood-Bound Space-Racing Commie-Fearing Polo-Playing Chain-Smoking Family-Loving Chili-Eating Anti-Semitic Dandy From Kansas City Who Dreamed He Was a Mouse.

Making stuff means replicating it, and that means commoditizing.  Anybody can do that.  Originating stuff–growing Walt Disneys and Apples and Pixars and Lady Gagas and ABROS–that’s what America still does best.

Applied Improvisation, Part Two: Talking the Client’s Language

Thursday, November 19th, 2009

Part of a series about the Applied Improvisation Network’s world conference, Portland, Nov 11-16, 2009:

OYF Panel Discussion with Intel's Zabel (far r.), Nike's Dodge (second from r.) and the State of Oregon's Gardnes (far l.)

OYF Panel Discussion with Intel's Zabel (second from r.), Nike's Dodge (third from r.) and the State of Oregon's Gardner (second from l.)

I am blown away by the work being done by Julie Huffaker, Gary Hirsch, Brad Robertson and OnYourFeet, with clients like Nike, Intel and the State of Oregon.  The scope of their engagements, the value they create, and their ability to collaborate with their clients and speak the client lexicon is easy to see.

Karl Zabel (who today works with Nike but was a product manager at Intel at the time) hired OYF to train presenters for an Intel conference in Vegas in which lead engineers present new products to audiences of their peers.  The program paid off with positive results for Zabel and his product team.  Scores the audience gave presenters who’d had improvisation training left those who didn’t in the ditch.  (my word for the outcome; he had Intelspeak for it…4.2 to 4.7 positive variance, e.g.)

One presenter, says Zabel, got up in front of the audience and impulsively tossed his entire PowerPoint presentation aside at the last second in favor of  improvising his pitch.  An audience numbed by days of PowerPoints loved the move, and this was reflected in scores that were well above the conference norm.

Interestingly, Zabel changed the game to help OYF’s work reflect its real value.  Previously, scores for these presentations had been an aggregate number.  They included a score for the catering, a score for the air conditioning, a score for the quality of the audio and projection…and oh yeah, a score for the actual presentation, let’s throw that into the mix, too, why not?  Zabel convinced the scorekeepers to separate the presentation scores, which meant that weak presenters couldn’t compensate with good sushi.  Improvisation for business offers objective criteria for performance, kudos to Karl for seeing it, and clearing the way for Intel to see it, too.

Shelly Dodge, head of Gobal Learning and Development for Nike, says that value creation for her training programs is “largely anecdotal.”  This is an brand that knows itself and trusts its instincts.  Dodge says OYF’s training helps bridge cultures within the company, particularly with many of its Asian employees, for whom improvisation can be a means to communicate more openly and get more in tune with the ‘just do it’ vibe of the brand.  (Note to all orgs that want to be like Nike:  Cross cultural communication is yet another area in which improvisation can bring immense value to a brand.)

Lucy Gardner, head of employee training for the State of Oregon, says that given all the layoffs and cutbacks the state government has experienced of late, OYF’s work gives people a much-needed time when they can laugh about something, and also keeps them engaged and thinking positive when there’s a lot of negative news in the network.  Cheers to Lucy for understanding the good ROI the state gets on its investment in improvisation.

Any story that begins, “For the price of one television commercial…” has the potential to become a success story for improvisation in business.

Exercise in the OYF Workshop

Exercise in the OYF Workshop

Improvisation, Spaff-Style

Tuesday, October 16th, 2007

Dave Spafford, who along with James Baxter, Glenn Keane and Andreas Dejas, is one of the best pencil-and-paper animators in the world, is a genius with his hands. For a friend’s recent birthday, he made a slot car track — complete with controls, cars and scenery — that unfolded out of a large suitcase. He can make magic with those hands. His hands are the trigger to all his business scenes.

Spaff 1

Spaff animated key scenes in films like Who Framed Roger Rabbit?, The Little Mermaid and dozens of others. He lived at Francis Coppola’s vineyard for three months while storyboarding Coppola’s version of a live-action Pinnochio. When he returned from his year in London on Roger Rabbit, for five solid years, he hosted Pub Night every Friday at his house in Toluca Lake. It was like the Star Wars Cantina for the animation industry. I don’t know that I have ever laughed harder, or had more fun than I have at Spaff’s house. Most of the animators at Disney are dying to get him back there to work with them on their hand-animated film The Frog Princess, but the CalArts clique at Disney is a little bit intimidated by him, because he is so damn talented and stubborn and he didn’t go to CalArts. He is self-taught. When he was sixteen years old, he would drive up from Orange County nearly every day in the summer and stand outside the Disney Studios gate with his animation drawings, and wave at all the animators, especially the legendary Nine Old Men (Reitherman, Clark, Larson, Thomas, Johnston, Kimball, Lounsberry, Kahl and Davis), until one of them, often Les Clark, would invite him inside the lot, where he would spend the day watching the masters at work, pestering them with questions about their craft.

Spaff 5

He designed the characters and did the storyboards for the first film to be produced by Phil (Nike CEO) Knight’s new animation company in Portland before the (CalArts educated) Henry Selick, who runs the joint for Knight, and Spaff ‘parted ways’ last month.

But Spaff is a GameChanger. Which means that he knows how to turn an unexpected situation to his advantage.

Spaff 2

Last month, he did a deal with Disney theme parks to sell a little pirate-themed magic trick he designed and built, in which you hold a small wooden coffin in your hand and pop a skeleton out of it on your command. And he just finished making a professional magic trick in which a magician can pick up any kind of knife off any random table, cut open his or her forearm causing blood to gush, then peel back the skin revealing the pulsing veins and muscles inside the arm. He wouldn’t show me how it works, or sell me one, or let me post the link where you can buy one of the tricks online for sixty bucks. “It’s for professional magicians,” he said.

My friend Lisa Judson, president of Warner Bros. Animation, is courting him to bring one of his animation projects to their DVD division.

Spaff and his wife of twenty years are in the process of splitting up. Amicably. But still, you know it’s got to be a pain in the ass. Their house is going to become his studio, and his studio is going to become her house, and there are a million moving details to it all.

And in the midst of all this, he dropped everything last Friday afternoon and made us five kumquats — which were out of season and not available anywhere in L.A. — for our GameChangers video shoot over the weekend.

Spaff 7

Damn, I have great friends.

Here’s the reaction from cast members when we showed them Spaff’s kumquats on the set Saturday:

GC Video 1