Posts Tagged ‘Additions’

Los Mineros, Part Seven: “And…Scene!”

Thursday, October 14th, 2010

The ‘Los Mineros’ scene ended in Chile this week with a worldwide swelling of joy at the safe rescue of all 33 trapped miners.  They survived for a total of 68 days 2,300 feet under the earth’s surface, the longest anyone is known to have been trapped underground and lived to tell about it.ChileanMinerRescue1

We have been analyzing the scene here since shortly after the miners were discovered alive.  One of the most instructive aspects of the ‘Los Mineros’ scene is that it has very little spin.  The cave where they were trapped was truly a no-spin zone.  Events were not manipulated or interpreted to someone’s economic or political advantage.   There were no conspiracy theories.  No, this was as unadulterated as a media narrative can be.

During their 68 days in the darkness, the miners had time to ponder their lives in ‘the normal world,’ as Joseph Campbell would call it.  Many, if not all, seem to have been enlightened by the experience, emerging with a newfound clarity about themselves and the world they are re-entering.  “I have been with God and I have been with the devil.  I seized the hand of God,” said one, Mario Sepulveda.

“I have changed.  I am a different man,” said another, Mario Gomez.

Here is a post-by-post summary of the GameChangers series about  the ‘Los Mineros’ scene:

PART ONE:  THE TRAPPED CHILEAN MINER GAME (August 26)

Lesson: Don’t be defined by your circumstances.  Be defined by how you behave in those circumstances.

PART TWO:  LEVELS OF MEANING (August 31)

Lesson: Narratives communicate on three levels of meaning:  Cosmetic, Emotional and Meta.

PART THREE:  YONNI’S WAITING PARTY (September 2)

Lesson: Rules of the game must be known to all players.

PART FOUR:  ESPERANZA! (September 17)

Lesson: Additions can heighten a scene emotionally.

PART FIVE:  SUPPORT FROM THE WINGS (September 28)

Lesson: Additions are generative.

PART SIX:  ACT THREE BEGINS (October 10)

Lesson: End energetically.

Los Mineros Part Five: Support from the Wings

Tuesday, September 28th, 2010

ONE IN A SERIES…

A scene can always gain momentum and depth with support from the wings.  Support can come in almost any form–a walk-on, a tag-in, a sound, a song, a prop–anything that adds context to what’s already happening.  We see this happening with Los Mineros, the 33 Chilean miners trapped 2,300 feet below the surface of the earth in a copper mine.   You could say that the scene has become a kind of flurry of support from the wings.  This is typical of a second (of three) acts in a longform improvisation.  Lots of additions get thrown into the mix.

There were a couple of notable ‘adds’ this week:LosMineros_Capsule1

The first was a prop, the wire mesh one-man capsule that will bring the miners back to daylight one at a time.  This heightens the scene by helping us get a better picture of what the rescue effort will look like.  The capsule gives us an idea of how wide a hole they’re having to drill to reach the miners.  It will be interesting to see what kind of rule Los Mineros add to their game to determine in what order they come to the surface.  In terms of status and media exposure, especially in the first 24/7 news cycle, first guy up is going to be Neil Armstrong to the 32 Buzz Aldrins who follow him. (POST-RESCUE NOTE:  Not quite accurate.  Every miner had his moment, and the last miner was the highest status player in the scene.)LosMineros_Headline1

The second big addition from the wings last week was media training.  According to a story in the Guardian, PR people are coaching Los Mineros on how to comport themselves with the media when the light finally hits them, and, no doubt, how to book themselves on Oprah, get a reality show deal, negotiate endorsements and hire ghostwriters for their books.  This addition to the scene is pure comedy gold.  By the time they reach the surface, Paris Hilton and the Pope will both be there to greet them. (POST-RESCUE NOTE:  It speaks well of everyone involved that the scene, thankfully, never turned into a circus.  Publicity seekers who showed up at the site were promptly sent home.)

Los Mineros Part Four: Esperanza!

Friday, September 17th, 2010

This just in:

Elizabeth Segovia, the wife of Ariel Ticona, one of Los Minerinos, the 33 miners trapped 2,300 feet underground in a copper mine in Chile, has according to CNN.com, given birth to a baby girl.  The family has named her Esperanza Elizabeth.  ‘Esperanza’ is Spanish for ‘hope.’

Esperanza1This is an example of what is known in improvisation as an ‘addition.’   The effect of an addition to the scene is often to heighten the stakes emotionally.  The birth of a Esperanza is certainly an example of emotional heightening.

Note the difference between the authentic emotional heightening that comes with a baby’s birth  vs. the bogus heightening a lot of news outlets produce, where emotions are amplified artificially through a heavy-duty media ‘lens’ consisting of satellite trucks, reporters, news vans, helicopters, camera crews camping across the street, etc.  Sometimes, the emotions depicted by journalists are pure fabrication, as when a media manipulator like Andrew Breitbart ginned up a racist history for a woman who was in fact quite a model of tolerance.

In the Networked World, media-jacked emotions, hoaxes, and fear-based narratives come at us in furious flurries.  At the same time, our communication channels are flooded with paid media, which, like the bogus narratives, often have very little relation to reality.  And hackers are more clever than ever about luring people into giving up their account information with phony stories.  That fictitious Nigerian Prince of spam email fame has, in the hands of evil narratologists, become one of your Facebook friends who’s “stuck in London without cash or a passport.”  The sheer volume of this nonsensical content makes it imperative for communications professionals–and aren’t we all?– to quickly distinguish between what is real and what is not–and act on what is real.  Otherwise you’ll waste too much time, and miss too much opportunity, chasing chimeras.

The birth of a baby?  That’s as real and honest as it gets.  Congratulations to Elizabeth and Ariel on the addition of Esperanza, and the hope for new life that has themed this beautiful scene from its beginning.

Who Made You?

Wednesday, April 21st, 2010

Bird was not her given name, but everybody called her Bird because they said she was just like that, light and long of neck and attention-getting beautiful.  From the time she could walk, it always seemed as if at any second she was going to lift up to her tiptoes and start flying, that’s how excited she was about life.

When Bird was 12 years old, she and her older brother, Cam, were playing with a group of children in a park at the foot of the remote mountain in Colorado where they lived.  A gang of men appeared out of nowhere and abducted Bird at gunpoint.  Cam escaped and made it back up the mountain.  Bird’s abduction was all over the news, but she could not be found, and after awhile, everyone assumed she never would be.

For three years, the gang held her hostage.  She was made to do menial labor and was raped repeatedly by men twice and three times her age.  The gang eventually sold her to a Canadian man who was in the fur business, and wanted her for his mistress while he was on business trips.  At the age of 16, she was pregnant with the Canadian’s child.

She named the baby Jay-Bee.

When Jay-Bee was six months old, Bird accompanied the Canadian to a business conference in Iowa, where he crossed paths with Bill and Lewis, managers of a real estate syndicate acquiring and developing raw land west of the Mississippi.  The Canadian could sense that Bill and Lewis were major players, connected at the highest levels of government and the intelligence community.  He also sensed that they were enamored of Bird, who it turns out had a gift for languages and knew a surprising lot about raw land west of the Rockies.  The more Bird contributed to the conversation, the better Bill and Lewis liked the Canadian.  So he let her talk.  And sure enough, they invited the Canadian to join their company.

The Canadian turned out to be a miserable employee, capricious, and ill-suited to the relentless pace of the real estate business.  On top of it, he was a raging alcoholic.  Worst of all, he abused Bird and the baby.  When Bill caught a glimpse of this behavior one day in the company parking lot,  he fired the Canadian on the spot.  Lewis, a lawyer, arranged for Bird to get a divorce.  After the divorce, she got her real estate license, whereupon, to her surprise, Bill and Lewis invited her to join the company.

She brought Jay-Bee to work with her every day, and he soon became the company pet.  Bill, who at that time had no children of his own, took a particular shine to the boy, and nicknamed him ‘Pompous.”  She never told anyone about her life before the Canadian.  She couldn’t.  She had no memory of it.  Somewhere, during the time she’d been held hostage by her abductors, she had perfected her ability to forget.

A number of years later, Bill and Lewis asked Bird to join them on a business trip.  They didn’t tell her where they were going.  They took the Gulfstream, landed on a private field at night, got into a waiting limo and checked into their hotel.  In the morning, when Bird looked out the window of her hotel, her heart fluttered like it had wings.  There, in front of her, like a childhood dream remembered, was the mountain where she had grown up.

Still numb, Bird went with Bill and Lewis to a meeting of local officials, and at the meeting, representing his town council, was her brother, Cam.

It took them a second to recognize each other, but the instant they did, she flew across the room to him and they  hugged and cried.  The meeting wasn’t much of a meeting after that.  It was, instead, a celebration that didn’t end for two days, a big dance around a brother and sister and members of their clan who couldn’t stop crying and smiling at the same time.  Bird’s memories of her happy childhood came back to her during those two days.  She remembered that when she was a child, her very favorite thing was to look at a flower, a bird, anything beautiful, and ask of it, “Who made you?”, and that this is what she had been doing when she wandered off from the other children on the day she got abducted from the park.

Bill and Lewis made a killing on their real estate deals, of course, and Bird played an important role in their success.  Lewis went on to become governor of Louisiana and Bill and his wife, Julia, moved to Washington, where he held a number of high-ranking positions in government.  My suspicion is that Bird and Bill were in love.  We will never know for sure.  What we know is this:

We know that Bird gave away whatever money she’d made to charities that supported the poor rural community on the mountain where she had grown up.

We know that on the ten-year anniversary of its founding, Bill invited everyone who’d ever worked for their real estate company  to join him in Washington, D.C. for a big party.

We know that Lewis, driving alone from Louisiana to D.C. for the anniversary party, stopped at a motel in Tennessee, put a gun to his head and killed himself.

We know that Bird, who was living in Iowa at the time, brought Jay-Bee, who was twelve years old, with her to D.C. for the anniversary party.

We know that during this bittersweet trip, Bird visited Bill and Julia at their large home on the Potomac and ask them to let Jay-Bee live with them and their son, Lewis (named after Bill’s partner) and take care of his education.  We know that Bill and his wife raised Jay-Bee as their own son, and that Jay-Bee himself became a prominent player in Washington, advocating for his mother’s causes.

We do not know for sure what happened to Bird.  Some stories say she died of a broken heart soon after returning from D.C..  Some say she died an old alcoholic, alone, broke, and on the streets.  Some say she lived to an old age, doing social work for her community until the end of her days.

We know that today she is commemorated on a gold American one-dollar coin and that her given name was Sacagawea.

And we know that whoever made the flowers and the birds and anything in beautiful in nature, made her, too.

Random Pattern - 82

The Unsung Hero of the Game

Wednesday, June 3rd, 2009

We cannot emphasize enough how often the origins of the productive game rest not with actions of the first person to act, but with the person who defines the game by supporting and adding to what the first person is doing.  The second person is the unsung hero of the game.

Ethan Bauley sent me a link that’s a perfect depiction of the ‘Unsung Hero’ idea. Take a look at this video shot at the recent Sasquatch Music Festival outside Vancouver:

The first dancer, Collin Wynter from Calgary, deserves credit for initiating well. He’s having fun, and he’s high energy, connecting with the music and the rest of his environment and not at all caught up in his own little world. He is acting on his environment (the hillside and the soft grass and the music) and as a consequence, the environment ‘acts on him’ as his dancing becomes infectious. But it doesn’t become a scene, it doesn’t find its game, until the second dancer joins. The second dancer adds and heightens, and from that point on, there’s no stopping this scene.

The second dancer learns the ‘rules of the dance’ from the first dancer, then yes-ands, making dance even more playful by falling to the ground and crawling through the first dancer’s legs. It is the second person who defines the game and plays it in a way (by yes-anding) that others cannot resist joining.

After the third person joins, the joining becomes a wave that lasts until the music ends. (And maybe beyond, that’s where the video cuts.) This same dynamic is characteristic of any productive game. A game played alone has finite potential, while a game that invites joining has unlimited upside. It is the second person to play who signals to the crowd that your game is worth joining.

This article in the Calgary Herald celebrates Collin Wynter as being some kind of hero, but does not mention the second dancer, or even the existence of the unsung hero of the game.

The Life Drum Core and Pete Carroll

Thursday, April 16th, 2009

A part of my work with the World Wildlife Fund for its Earth Hour event in Los Angeles on March 28, I helped organize a group of young musicians to perform at the event.  My guitar teacher, Lonnie ‘Meganut’ Marshall, put together a group of kids who played drums on recycled plastic buckets they’d painted to fit the theme ‘Funeral for Fossil Fuel’.

LDC1

The Life Drum Core, as Lonnie named the group, was a big hit.  They got coverage on all the local TV stations, and on the night of Earth Hour, their four-minute performance was well-received.  They ended up afterward jamming with the mayor, who grabbed his own recycled bucket and began banging out a beat.  (He wasn’t bad.) (more…)

People Change the Game

Wednesday, October 8th, 2008

I’m hearing it from all over these days, so it must be official–the word ‘gamechanger’ has broken into the popular idiom. Why, I remember back in the day when it was just Pontiac Motors, A. G. Lafley of P & G, a few sportscasters, and me. Six weeks ago, William Safire wrote about the etymology of ‘gamechanger’ in his NY Times column. Now it’s everywhere, especially in politics. I must have heard the words ‘game’ and ‘change’ used together a dozen times last night in relation to the presidential debate.

This morning, my friend David LaPlante (if you want to read something beautiful, see his most recent blog entry) sent me a link to a CNN story and headline:

LaPlante Note

Here’s my response:

Candidates and media use the word erroneously, as CNN does in this story, when they refer to an EVENT as a gamechanger. A gamechanger is PERSON with the ability to change the game. Like you : ) A gamechanger can also be a brand, as in the focused, networked behaviors of a group of people who share business objectives. (more…)