Archive for the ‘Objectives’ Category

When The Best is the Enemy of The Good

Monday, September 28th, 2009

Gottlieb1Hildy Gottlieb, President of the Community-Driven Institute, recently made some potent observations in a blog post entitled When Best Practice is Bad Practice. In it, she bemoans the overuse of the phrase ‘Best Practice’, especially by her consulting colleagues, and cites a number of the problems with the whole idea of Best Practices:

1)  A Best Practice is typically imposed on an organization by a manager or a process-hawker selling a particularly methodology or enterprise solution.  It promotes the idea, as Hildy says, that ‘the answers are outside us’  when, in fact, this is totally untrue.  The answers are always within.  Our inspiration and motivation for working through them may come from somewhere else, but the important questions and the talent for answering them are within each of us, waiting to be discovered.

2)  It’s something people can fight over.  Let’s face it, managers and boards will fight over and chew on what is ‘Best’ until, by the time it actually gets implemented, there’s no meat on its bones.   After a pride of management lions has finished feeding on it, a Best Practice can resemble a zebra carcass of mediocrity.

3)  Sometimes it’s worse than mediocre, it can actually be something BAD masquerading as Best.  This, according to Hildy, happens when managers use Best Practices to either absolve themselves from accountability or, at the other extreme, micromanage.   And when managers use Best Practices to characterize players, who may be equally passionate about the mission but have different approaches to it, as problems or troublemakers instead of allies, Truly Awful Practices often ensue.ZebraLions1

The GameChangers analysis of Hildy’s post:

Best Practices are often a weapon of choice in the management game.  Because by definition there can only be one Best, managers are inspired to compete with one another for supremacy, usually at the expense of teams waiting for decisions and direction.

The idea that there is ANY ONE WAY to do things Right or Best is a huge issue for relationships between managers and teams, and to tell you the truth, for people generally.  When a husband tells a wife that Best Practice is Football, the wife opines that it’s Soccer and junior thinks it’s Skateboarding, we are going to have issues, and we are all going to be unhappy. This kind of squabbling and scrapping scenario is we often experience at the top management or board level of an organization–a battle for whose narrative will hold sway, forget how effective the narrative will be, that’s secondary to winning the battle to have your Practice declared Best.

The quest to own ‘Best’ is at its most toxic when managers are either pro bono (”If you don’t want my opinion, why did you ask?”) or justifying the difference between what they get paid and what their teams get paid (”I’m a genius and you’re not, okay?”).

Several of the commentors to Hildy’s post suggest Inspiration as a possible alternative to the Best Practice scenario.  This can be a slippery slope too, because Inspiring Others can be a less-then-tangible practice.  Ephemeral, it comes and goes.  The most inspiring (emotionally uplifting) point of view can also be the most unachievable day to day.  We have a good friend who’s an inspirational character, so inspiring that Hollywood made a movie about him.  I wouldn’t want him coaching my team, though, because he only knows one way to approach a problem, and that’s with a kind of stubbornly sunny, over-the-top cheerleading optimism that is unique to him. Most people don’t have his game, and most don’t want to. He’s great to have on the team, but day in and day out, he is far from its most valuable player.

Overuse of the phrase Best Practice is a symptom of an organizational illness, a telling twitch in the body politic.  The illness itself, the battle by managers and brands for control of the narrative, is what we call Scripting. The opposite of Scripting is Improvisation.  The ability to improvise is the most important practice in the day to day life of a productive team.  There are huge benefits to improvisation that cannot possibly be realized by a group bound up in a dialogue about Best Practices:

The ability to listen connects managers and teams, and creates a collaborative environment.

The ability to adapt means that we are open to more than one way to achieve an objective.  It recognizes that we will encounter problems that we could not have anticipated.

Improvisation recognizes that the ability to solve problems is much more important than deciding ahead of time how the problem is going to be solved.  It does not expect us to fit square pegs into round holes.  Rather, it gives us the ability to create dodecahedronal pegs when we encounter dodecahedronal holes.

Improvisation is not a Best Practice.  It is a Good Practice.  With discipline and patience some Good Practices will actually turn out to be Best.  Minute to minute, day to day, expand your capacity for doing Good, and let history determine what is Best.   As Steve Jobs says, “You can only connect the dots looking backwards.”  You can only construct the narrative of the battle after the battle has been fought.   To ensure that dots are connected and battles won, move forward always.  And be prepared to improvise.

Sing Everything

Thursday, July 9th, 2009

DaveCarroll1This story broke in the L.A. Times a couple of days ago and has been burning up the interwebs ever since.  Dave Carroll of the Canadian country music band Sons of Maxwell sings about a problem he has with United Airlines.  It’s easy to see how productive this game is for Carroll and the Sons of Maxwell, and how damaging it is to United Airlines, a brand that already has a pretty shabby reputation for dealing with passengers.  It is after all, the best customer complaint of the Networked Era.

There are three elements of gamechanging at work in Carroll’s United Breaks Guitars song (with two other ‘complaint songs’ to follow, according to Carroll): (more…)

Yes is Not Enough

Wednesday, January 7th, 2009

MarriageProposal1The most basic concept in all of improvisation is ‘Yes and’. If we are in a scene together and you make a statement, it is my obligation as an improviser to ‘yes-and’ your statement. By ‘yes-anding’ you, I not only agree to your reality, I add to it with perspective of my own. In this way, we can ‘triangulate’ on the problem to be solved, and also bring dimension, and new levels of collaboration to the scene.

The words ‘yes’ and ‘and’ do not have to be spoken literally, of course. It is the spirit of the phrase that matters. A common improv exericise invokes this spirit by having players begin every exchange of dialogue with those two powerful words, spoken literally.

If we are in a scene together and are ‘yes-anding’ one another, by the third line of the scene, it will not be about your reality, or my reality, it will be about our reality. Now we have the ability to work together toward an objective. It is the ‘and’ that makes all the difference. Anyone can say ‘yes’. It might get me a reputation as a being a positive person around the office, but it will not necessarily make me a productive player. (more…)

GameChanger of the Month – November 2008

Tuesday, December 2nd, 2008

ObamaPoster1Our November GameChanger of the Month selection was a slam dunk. Barack Obama is going to be America’s first baller president, and he’s going to be its first Improviser-in-Chief.

His and his team’s ability to improvise their way to an election victory against rivals who were, initially, much better funded, more networked and more familiar brand names proved beyond any doubt how skillful improvisation can change the game. Obama is the epitome of what it means to be a gamechanger. (more…)

People Change the Game

Wednesday, October 8th, 2008

I’m hearing it from all over these days, so it must be official–the word ‘gamechanger’ has broken into the popular idiom. Why, I remember back in the day when it was just Pontiac Motors, A. G. Lafley of P & G, a few sportscasters, and me. Six weeks ago, William Safire wrote about the etymology of ‘gamechanger’ in his NY Times column. Now it’s everywhere, especially in politics. I must have heard the words ‘game’ and ‘change’ used together a dozen times last night in relation to the presidential debate.

This morning, my friend David LaPlante (if you want to read something beautiful, see his most recent blog entry) sent me a link to a CNN story and headline:

LaPlante Note

Here’s my response:

Candidates and media use the word erroneously, as CNN does in this story, when they refer to an EVENT as a gamechanger. A gamechanger is PERSON with the ability to change the game. Like you : ) A gamechanger can also be a brand, as in the focused, networked behaviors of a group of people who share business objectives. (more…)

The Wall Street Bailout Scene

Tuesday, September 30th, 2008

Elephant1I can’t possibly grasp the nuances of the current crisis and the bailout bill.  There is so much data, so many opinions, so many experts weighing in. The problem of credit derivatives unleashed into the global markets by mad mathematicians is so complex it will take legions of sane mathematicians years to unravel and set right.

So I look at it like this:

The crisis is an Elephant, and everyone wrestling with it–you, me, Hank Paulson and Barney Frank–is a Blind Man of Hindustan.  How we describe it depends on which part of it we’re feeling.  And no matter how we describe it, it doesn’t help us figure out what to do with the Elephant.  It’s just a very large animal standing there while blind people disagree about it.

So six blind men of Hindustan
disputed loud and long,
Each in his own opinion
exceeding stiff and strong;
Though each was partly in the right,
they all were in the wrong!
– John Godfrey Saxe

One of the benefits of improvisation in business is that it provides a lens, and a common language, through which we can see and learn from performance.  This triangulates the problem and gives us common ground for solving it.  Barney Frank sees the Wall Street problem from a Massachusetts legislator’s perspective.  I see it from a small businessperson’s perspective. As a person the cameras are pointed at, Barney is probably feeling the tusk, so he describes the Elephant as being ‘like a spear.’  From my perspective, the Elephant ‘feels very like a wall’ between me and capital.  If all we’re going to do is debate our differences, we’re never going to get anywhere.

But if Barney and I both speak improvisation…aha.  We can find agreement in that language. Our disagreement about what the Elephant looks like is no longer important because now our dialogue can be about what to do with the Elephant! 

Here’s an analysis of the ‘Bailout Scene’ seen through the lens of improvisation: (more…)

You Are Not Christopher Guest (And He is Not You)

Monday, August 25th, 2008


CGuest2At lunch the other day at a new sushi restaurant called Sugarfish, my friend, Josh Rose, a creative director at Deutsch Advertising, told me about watching the legendary improviser Christopher Guest (Best in Show, Waiting for Guffman, et al) essentially rip up the script Deutsch had given him for a series of DirecTV spots, and tell its creative team he and his cast were going to improvise everything instead. Guest promised the agency team they’d get ten usable spots worth of material, far more than their contract called for.

He delivered, to excellent effect. The series of commercials starring Guest, who also directed, memorably distinguish DirecTV’s product from that of a fictional blowhard cable company.

Josh took the position that, well, yes, you can get away with something like that if you’re Christopher Guest. And if you’re not Christopher Guest, maybe improvisation isn’t going to be so beneficial.

I wish I had responded by holding the albacore sushi drizzled with ponzu sauce between my chopsticks and said to him with a Kung Fu master’s equanimity, “Yes and Christopher Guest is no Chef Nozawa.” That would’ve been deep. I didn’t. I took the more mundane position that there is improvisation in every business process, and that, while its place in the process may vary–most TV commercial shoots, for example, cannot withstand the amount of improvising that a Christopher Guest brings to a set–there is always an opportunity somewhere in every business process where improvisation is possible, and in most cases, required. As long as you’re going to do it anyway, why not do it well? And as far as the fuss Guest stirred up, who ever said birthing originality was easy?

Josh chewed on his yellowtail for a sec, and I wish I could say he nodded like an eager Chef Nozawa apprentice, accepting every word I said as doctrine. He did not. He told me that he is a ‘plug-n-play’ guy, meaning he carefully measures the opportunity afforded, and calibrates performance to it. Improvisation, he said, can feel too loose and unpredictable.

Maybe that’s when I should have stood and slapped him across the face and and told him to wake up and smell the wasabi. I did not. Instead, I calmly explained that recognition of an opportunity for what it is, and responding accordingly, is good improvisation. The Networked World, I explained, is filled with new opportunities. New plugs that require new plays. This continually-evolving business environment demands improvisation. (more…)

Vaillancourt’s List 2.0

Thursday, June 19th, 2008

Vaillancourt1The extraordinary improviser, Paul Vaillancourt, gave me a list of sayings that have been compiled and passed around the improv theater community over the years. The legendary teachers, Mick Napier and Del Close, get some of the credit, though the exact origins of these are as hazy as the roots of any folk wisdom. Here is the second in a series of sayings from what I call Vallaincourt’s List, with my extrapolations in italics: (more…)

Passing Woody’s Clarinet

Tuesday, May 6th, 2008

WoodyAllen1

One day my friend K., an executive at one of the big entertainment companies, and I were talking on the phone when the subject of Woody Allen came up. K. had recently been to a concert by Woody’s Dixieland jazz band at a club in Los Angeles called the Jazz Bakery. She didn’t say much about the concert itself, but told a funny story about what happened with Woody’s clarinet after the concert.

It went something like this… (more…)