Archive for the ‘Listening’ Category

Blind Vision

Monday, March 8th, 2010

When I was a student at Notre Dame, Marc Maurer (pronounced MAU-er) walked the campus faster than anyone else I knew, and I don’t just mean faster than any other blind person.  I mean faster than anyone, period.  Like twice as fast as the next fastest person.  His cane, which he used to sweep the sidewalk in front of him like a hockey player on a breakaway, was as much for our benefit as his, because he was a man on a mission, he was coming through, and it was clear even back then that nothing or no one was going to stand in his way.

Marc was, to my knowledge, the best auto mechanic on campus.  He’d wheel his Low Boy under a car chassis, listen to an engine, or spider around under the hood and demonstrate that while you might have had the supposedly functional eyes, you couldn’t look at a car with the skill that he could.

He was one of the best students at Notre Dame.  And a party animal.  And a ladies man.  He had a great sense of humor.  In Sorin Hall, where Marc and I lived, nobody thought of him as handicapped.  Quite the contrary.  He was gifted.  By comparison, most of us were lazy, ignorant slugs.

I have not stayed in touch with Marc over the years, but I have kept tabs on him.

A few years ago, for example, Disney planned to release a feature film based on the sight-impaired Mr. Magoo cartoon character.  At first I heard the rumors coming out of Disney’s film marketing department.  “Someone in Washington representing blind people is causing trouble.”  And then I heard the name Marc Maurer, and I had to smile, because I knew it was game over, a mismatch from the get-go.  Dr. Maurer, who today is President of the National Federation of the Blind, chewed up the Mouse and spit it out.  Making fun at the expense of the sight-impaired is a mistake Disney will never make again.

Later this week, I will be conducting a GameChangers workshop for Executive MBA students at Notre Dame, and I intend to mention Dr. Maurer.  In researching him, I came across one of the best speeches I’ve ever heard.  In keeping with the character of the Marc Mauer I knew at Notre Dame, the speech is by turns intelligent, inspiring, and hilarious.  Take the time to listen to it.MarkMaurer1

Some of the beautiful ideas Dr. Maurer expresses in this speech:

If we let a single characteristic become the identifier of a person, it ensures that our estimate of them will be wrong.  Value is measured not by a single characteristic, but by the aggregate of those possessed by each individual.  Each characteristic contributes to the whole, and each may strengthen or hinder the person possessing it.

We live in a society in which blindness is thought to be a condition to be repaired.  Eyes that cannot see are broken.  However, it is false to say that the person who owns them is broken.

We, the blind, do not need to be fixed.  We are fine the way we are.  We can find our meaning and our purpose without modification or alteration.

I do not believe that blindness and helplessness are synonymous.  I carry the cane because it is a tool that helps me travel.  It is a tool of my independence, not a badge of my helplessness.

Learning should not be limited to what trains the mind, it should also train the spirit.

Your life belongs to you!

Note that it’s Federation OF the Blind.  Not FOR the Blind.  It’s not about what we can do for blind people.  It’s about what blind people can do for themselves, and if we’re lucky, for us.  Yeah, Dr. Marc Maurer is blind.  And his vision is just fine.

Princess GameChange

Wednesday, January 20th, 2010

I have a special place in my heart for animation and animators, especially for the artists who draw it by hand. There are only a few of these people in the world. Some say hand-drawn animation is doomed, swamped and marginalized by CGI and the ‘illustrated radio’ that is TV animation. I say there have always been only a few of these people in the world, which makes them all the more rare and valuable, and that there will always be hand-drawn animation, even if it won’t be drawn with lead pencils on sheets of paper.

PrincessFrog2One of the greatest gifts of my professional life has been the opportunity to hang out and work with people who draw Disney animation. They are exceptionally gifted observers, and experience the world from their own unique space-time perspective. (Once, I was walking through Descanso Gardens in L.A. with the legendary Disney artist Ken Anderson and he pointed up at the huge California Oaks overhead. “Most people see these trees as standing still,” he said. “If we could observe them over time we’d see that they’re really doing a beautiful dance.”) Disney animators inhale life’s experiences deeply like that, and breath it out through drawings that show movement in 1/24th of a second increments, every drawing a work of gallery-worthy art, fed back to us in waves through the twin lenses of character and narrative, as a movie.

“The Princess and the Frog” may not get my vote for the best movie title ever, but it is a positively heroic comeback for hand-drawn animation at Disney, which has, in true fairy tale fashion, awakened, dusted itself off and gotten back in business after being rendered dormant by the Dark Prince, Michael Eisner, and left for dead by many.  And…it features an African American girl as its main character, a first for a Disney animated feature.  We have come a long way since the days of Uncle Remus and Br’er Rabbit. We still have a long way to go.  But if we are like animators…patient, observant, and aware that there is opportunity in every 1/24 of a second…we might just get there someday.

Stengel’s Storyboard Ban

Wednesday, January 13th, 2010

Back in 2002, when he was still the CMO for Procter & Gamble, Jim Stengel was pictured on the cover of an Advertising Age reprint that I happened to pick up while in the office of a client in Atlanta.

Jim Stengel

Jim Stengel

Before there was a GameChangers LLC, before one word of the book had been written, I read in that Ad Age article how Stengel had made what we know today as a GameChanger move: He banned all storyboards from first meetings with ad agencies on new campaigns. What a gift!  Storyboards in a kickoff meeting, presume way too much. They hijack the process, and take it down a one-way, one-lane street. They imply a client/vendor relationship that prematurely assigns status and roles to the players and is therefore toxic to a truly organic process.

I give Jim Stengel a lot of credit for indicating that there is a need for improvisation in business. His storyboard ban created a vacuum that, by design I’m sure, required improvisation to fill.

In animation, where films are largely worked out on storyboards, presenting scenes that have been depicted on storyboards is called ‘getting the story on its feet.’ Stengel recognized that getting anything on its feet that was going to have legs needed to fall a time or two first.

Today, Stengel teaches at the Anderson School of Business at UCLA, and from his website it seems that he’s still got a unique perspective on the practices and processes of marketing brands.   I hope he’s telling the future captains of industry about his P & G storyboard rule.  It’s a good one.

Context Sensitivity

Friday, November 20th, 2009

From David Brooks’ column in today’s NY Times:

…you would also have to say that Geithner, like many top members of the Obama economic team, is extremely context-sensitive. He’s less defined by any preset political doctrine than by the situation he happens to find himself in.

‘Sensitivity to one’s situation’ is a quality you find in any good improviser. Dogma (e.g. “political doctrine”) by contrast, doesn’t do much to move a scene forward; instead, it usually results in one of two less-than-desirable outcomes:  1)  a groupthink decision by people who let their dogma do their talking; or 2) the scene bogs down in a circular debate about how to move the scene forward.

The only thing that will move a scene forward is moving the scene forward.  You can’t talk about it.  You can’t write a prescription for it.  You just have to do it.

Woody Allen once said, “Ninety percent of life is just showing up.”  Woody was 55.55% right.  Fifty percent of life is showing up.  The other fifty percent is what you do when you get there.  And the only way to know what to do when you get there is to be sensitive to the context of your scene.

Mr. Context Sensitive

Mr. Context Sensitive

When The Best is the Enemy of The Good

Monday, September 28th, 2009

Gottlieb1Hildy Gottlieb, President of the Community-Driven Institute, recently made some potent observations in a blog post entitled When Best Practice is Bad Practice. In it, she bemoans the overuse of the phrase ‘Best Practice’, especially by her consulting colleagues, and cites a number of the problems with the whole idea of Best Practices:

1)  A Best Practice is typically imposed on an organization by a manager or a process-hawker selling a particularly methodology or enterprise solution.  It promotes the idea, as Hildy says, that ‘the answers are outside us’  when, in fact, this is totally untrue.  The answers are always within.  Our inspiration and motivation for working through them may come from somewhere else, but the important questions and the talent for answering them are within each of us, waiting to be discovered.

2)  It’s something people can fight over.  Let’s face it, managers and boards will fight over and chew on what is ‘Best’ until, by the time it actually gets implemented, there’s no meat on its bones.   After a pride of management lions has finished feeding on it, a Best Practice can resemble a zebra carcass of mediocrity.

3)  Sometimes it’s worse than mediocre, it can actually be something BAD masquerading as Best.  This, according to Hildy, happens when managers use Best Practices to either absolve themselves from accountability or, at the other extreme, micromanage.   And when managers use Best Practices to characterize players, who may be equally passionate about the mission but have different approaches to it, as problems or troublemakers instead of allies, Truly Awful Practices often ensue.ZebraLions1

The GameChangers analysis of Hildy’s post:

Best Practices are often a weapon of choice in the management game.  Because by definition there can only be one Best, managers are inspired to compete with one another for supremacy, usually at the expense of teams waiting for decisions and direction.

The idea that there is ANY ONE WAY to do things Right or Best is a huge issue for relationships between managers and teams, and to tell you the truth, for people generally.  When a husband tells a wife that Best Practice is Football, the wife opines that it’s Soccer and junior thinks it’s Skateboarding, we are going to have issues, and we are all going to be unhappy. This kind of squabbling and scrapping scenario is we often experience at the top management or board level of an organization–a battle for whose narrative will hold sway, forget how effective the narrative will be, that’s secondary to winning the battle to have your Practice declared Best.

The quest to own ‘Best’ is at its most toxic when managers are either pro bono (”If you don’t want my opinion, why did you ask?”) or justifying the difference between what they get paid and what their teams get paid (”I’m a genius and you’re not, okay?”).

Several of the commentors to Hildy’s post suggest Inspiration as a possible alternative to the Best Practice scenario.  This can be a slippery slope too, because Inspiring Others can be a less-then-tangible practice.  Ephemeral, it comes and goes.  The most inspiring (emotionally uplifting) point of view can also be the most unachievable day to day.  We have a good friend who’s an inspirational character, so inspiring that Hollywood made a movie about him.  I wouldn’t want him coaching my team, though, because he only knows one way to approach a problem, and that’s with a kind of stubbornly sunny, over-the-top cheerleading optimism that is unique to him. Most people don’t have his game, and most don’t want to. He’s great to have on the team, but day in and day out, he is far from its most valuable player.

Overuse of the phrase Best Practice is a symptom of an organizational illness, a telling twitch in the body politic.  The illness itself, the battle by managers and brands for control of the narrative, is what we call Scripting. The opposite of Scripting is Improvisation.  The ability to improvise is the most important practice in the day to day life of a productive team.  There are huge benefits to improvisation that cannot possibly be realized by a group bound up in a dialogue about Best Practices:

The ability to listen connects managers and teams, and creates a collaborative environment.

The ability to adapt means that we are open to more than one way to achieve an objective.  It recognizes that we will encounter problems that we could not have anticipated.

Improvisation recognizes that the ability to solve problems is much more important than deciding ahead of time how the problem is going to be solved.  It does not expect us to fit square pegs into round holes.  Rather, it gives us the ability to create dodecahedronal pegs when we encounter dodecahedronal holes.

Improvisation is not a Best Practice.  It is a Good Practice.  With discipline and patience some Good Practices will actually turn out to be Best.  Minute to minute, day to day, expand your capacity for doing Good, and let history determine what is Best.   As Steve Jobs says, “You can only connect the dots looking backwards.”  You can only construct the narrative of the battle after the battle has been fought.   To ensure that dots are connected and battles won, move forward always.  And be prepared to improvise.

Hurd is the Word

Monday, July 13th, 2009

HandsOnSolar1For months before we met for lunch last week, I had been hearing about Brian Hurd, mainly from Deep Patel of GoGreenSolar.  Deep claims that Hurd is one of the sharpest tools in the shed.  Has more experience than just about anyone in the solar industry.  Knows as much as anyone in the world about the state of solar technology.  Started the solar installation program at the East L.A. Skills Center, where he has trained more certified solar technicians than anyone in the U. S.   Helped write the State of California certification tests for solar installers.  Is a protege of Secretary of Labor, Hilda Solis, the former Congresswoman from California who admires the work he’s done to create jobs in the community.  The web site for the company he founded, Hands On Solar, and the Google results page for ‘Brian Hurd Solar Technology’ bear out all this and more. (more…)

The Life Drum Core and Pete Carroll

Thursday, April 16th, 2009

A part of my work with the World Wildlife Fund for its Earth Hour event in Los Angeles on March 28, I helped organize a group of young musicians to perform at the event.  My guitar teacher, Lonnie ‘Meganut’ Marshall, put together a group of kids who played drums on recycled plastic buckets they’d painted to fit the theme ‘Funeral for Fossil Fuel’.

LDC1

The Life Drum Core, as Lonnie named the group, was a big hit.  They got coverage on all the local TV stations, and on the night of Earth Hour, their four-minute performance was well-received.  They ended up afterward jamming with the mayor, who grabbed his own recycled bucket and began banging out a beat.  (He wasn’t bad.) (more…)

Deep Information

Monday, March 9th, 2009

GGS1Deep Patel, and the company he founded GoGreenSolar, prove that adding information is one sure way to heighten scenes and improve performance.

In 2005, while getting his Masters Degree in Business Finance at Boston University, Patel discovered that information about solar power and equipment was not easy for potential users to come by.  He launched GoGreenSolar solely with the intention of providing useful information to his audience.  When the audience for this information grew, he added an e-commerce component.  By the time he got his graduate degree he was one of the solar industry’s most authoritative voices and had developed a brand that will sell over a million dollars of solar equipment online in 2009.

Patel is quick to point out that he launched GoGreenSolar.com with a) no intention of selling anything on the site;  and b) with full commitment to educating the market (and himself) about solar.

Deep Patel’s number one obligation to his brand (and the move that he ties most closely to its success in the marketplace) is to add information.  “I blog seven days a week,”  he says. “No matter what.”

An ‘Adding Information Strategy’ like this produces all kinds of positive outcomes.

It keeps the brand customer-focused.  There’s no better way to keep an audience engaged in your performance than telling them something they didn’t know.

It’s low-overhead.  Adding information costs less than just about anything else you can boost a brand’s performance in the marketplace.

Adding information also keeps the brand narrative fresh.   It is an evergreen move.  The currency of the information added, a relatively easy standard to achieve in a fast-growing industry like solar, ensures that the brand  is ‘alive’ in the minds of its audience.

It expresses confidence.  In an emerging field like solar energy, there’s naturally a lot of uncertainty and ignorance in the marketplace that can be exploited by ‘first in’ players.  Because its strategy is one of educating, not hyping, its, GoGreenSolar stays ‘manufacturer agnostic’, which makes the voice of the brand credible.   This credibility translates into customer confidence in what is being sold on the site.

It demonstrates the importance of conversations.  Deep talks to a lot of people, inside and outside his industry.  Those conversations bring perspective and insight to the information he adds.  Who is saying something (and where and when and why) are every bit as important as what is being said.

Conversations require good listening.  Listening yields suggestions from the audience that can be woven into the brand’s themes.

Adding information creates context.  That’s huge.  By adding information, Patel dimensionalizes the products on GoGreenSolar, until they are more than products, they are essential elements in a larger brand narrative.  In the Networked World where content is ubiquitous, context is king.  It is our ability to make sense of information, to add emotional and meta meaning to cosmetic data, to find patterns in the complex tapestries of life and the marketplace, that set our brands apart and distinguish us as communicators and as human beings.

DeepPatel1A

Housecleaning

Sunday, March 1st, 2009

As the toxic cloud of the Bush-Cheney era in America begins to lift, we are beginning to see the scope of the mess they’ve left us in.  The boys from Delta House have been partying hard for eight years, and now we’re supposed to move in and live here like nothing has happened?   The party is over the the place is a disaster.  The trees are filled with underwear!   The toilets have exploded!   And nobody’s laughing, because it’s real, and it’s on us to clean it up.

AnimalHouse3

Some of the clean-up work is so vast in scope, the banking industry shitstorm that shows so sign of abating , for example, or our crippling dependence on fossil fuels, that nothing short of a federal government strategy can begin to dig us out of it.

Every one of us, however, can find ways to support the clean-up work on a personal and practical level.  Cleaning house presents us with opportunities.   A chance to evaluate inventory, and eliminate waste.  It can be the impetus for a much-needed remodeling.

Here’s a GameChangers checklist for what to Toss and what to Keep as we clean up and remodel an economy that has been Skulled and Boned into the pathetic shape it’s in today: (more…)

Obama the Improviser

Wednesday, January 21st, 2009

(This is a version of a piece I wrote for the Huffington Post early in 2008.  The context is even more appropriate today than it was then.)

ObamaImproviser1Barack Obama is an improviser.  His campaign, his platform, his history, draws on a spirit kindled in the same Chicago South Side neighborhoods where modern improv was born in the 1930s.

How does Barack Obama improvise?

He says “Yes and…” Like any good improviser, President Obama understands that agreement enables a scene to progress, and new, shared realities to emerge from it.  “I know that the hardening of lines, the embrace of fundamentalism and tribe, dooms us all,” he writes in the preface to Dreams From My Father.   As an improviser, Obama understands that erasing the lines that divide us–enabling “Your situation” and “My situation” to  become “Our situation”  is what makes any kind of progress possible. (more…)