A serial analysis of the quest to rescue 33 miners trapped 2,300 feet underground in a copper mine outside Copiapo, Chile…
Levels of Meaning
With the eyes of the news media fixed on one very specific location, everything about the Los Mineros narrative is tightly focused and vividly portrayed. There’s no mystery to it, no hidden agenda (with maybe the exception of a mining company looking to avoid liability, which itself would be no surprise). With the focus so intense right now on the mine itself and the rescue efforts, almost every element of the narrative is visible even to a distant observer like me, who might check the story every day or two on the webs to see how the miners are doing.
It is extremely clear how the narrative is conveyed on three distinct Levels of Meaning.
All communication happens on three levels: Cosmetic (data, information, quantification, surface descriptions, neutral language), Emotional (passion, mood, empathy, attitude, ups, downs) and Meta (symbolism, context, iconography, metaphor, perspective, interpretation, the subconscious connections).
Observe, and learn from, how the Los Mineros narrative is conveyed on these three levels:
Cosmetic: Tons of information here. Plans and backup plans described in detail. The three four-inch pipes that have become their lifeline. The NASA psychologists who’ve arrived to help. The number of calories they’re eating every day (2,000), and how much water they’re supposed to drink every day (5 litres). We know about the ’super drill’ being brought in to bore through the rock. This early in the story, there’s still a lot of cosmetic meaning to be conveyed, an abundance of factual information. Expect that, at some point, this level of meaning will begin to lose steam, and that the tellers of the story will begin to place more emphasis on the other two levels.
Emotional: As always, this is where the most meaning resides, where the story is most potent, and touches us most profoundly. We know that some of Los Mineros have been depressed. We know that they have been able to communicate with their families. They have shared their frustration. We feel their claustrophobia. They have begun to play roles, and these will rouse emotions, too. Who will give the pep talks? Who can get them to smile? Keeping their emotions positive will be key to their mental health during their ordeal, and so, the longer the ordeal goes on, the more crucial the emotional content of the narrative will become.
Meta: The video feed is an existential lifeline. “I video, therefore I am.” For this reason, its very existence is a hopeful symbol. The handsomer guys are getting more facetime on camera. Stars of the narrative, those who can best hold our attention, will emerge as the Cosmetic flow slows. Bringing in the NASA psychologists to deal with the miners’ prolonged isolation is a recognition of the global significance of the narrative, and it ennobles Los Mineros by equating them with astronauts, Los Astronautas, and to the heroic qualities we ascribe them. This blog post is, itself, meta communication about the rescue effort.
Sometimes uncovering the Meta language requires digging beneath the surface, because beneath the surface is where the Meta meaning works. For example the number of miners, 33, has deep meta significance in the predominantly Catholic country of Chile, because 33 is commonly believed to be Jesus Christ’s age when he died on the cross. When Los Mineros finally walk into the light, the date on the calendar will not matter, they’ll be celebrating Easter in Chile.
Tags: Catholic, Chile, Communication, Cosmetic, Emotional, Jesus, Levels of Meaning, Los Mineros, Meaning, Meta, NASA, Trapped Chilean Miners, Video
Interesting idea about Easter, Mike, although isn’t the underworld ordeal less often portrayed as resurrection and more commonly as rescue or escape? It seems to me that this summons pre-Christian ideas, concepts and deities. Looking around the interwebs, it seems that there are a number of South American spirits and/or deities in this line of work…
“In the Aymara and Inca mithologies, Supay or Zupay was both the god of death and ruler of the Uca Pacha as well as a race of demons. The Uca Pacha is literally the Incan Underworld. Supay is associated with miners rituals.”
http://en.wikipedia.org/wiki/Supay
In Bolivia, people believe in a guardian spirit who lives within the mountains called El Tio, who likes offerings of alcohol, coca leaves and cigarettes. The miners see El Tio as a fellow worker and a friend, but also a vengeful spirit. The workers believe that without El Tio’s protection they may die in mining accidents… “The mountain wants to eat as payback for taking all the minerals, so it eats miners, human blood”
http://www.bbc.co.uk/80faiths/locations/southamerica.shtml#prg-header-main
(you have to click on “Offerings to the Mine God” on that page)
A synchronicity: this also turned up a ball-game connection I’d not heard of in Central America:
“A story recorded in the Popol Vuh, the sacred book of the Maya, tells of a visit to Xibalba by the Hero Twins, Hunahpú and Xbalanqúe. Much earlier their father and uncle, also twins, had been summoned by the powerful lords of Xibalba. Disturbed by the brothers’ ball playing on earth, the lords had invited them to the underworld for a ball game and then killed them.
Later Hunahpú and Xbalanqúe were also ordered to come to Xibalba. There they passed through a series of trials in various houses, and in each house they faced a test of their wits, strength, and courage. In the Dark House, for example, they had to endure darkness. In the Razor House they “tamed” the blades that were supposed to kill them and persuaded the cutting ants to bring them flowers, which they presented to the lords of Xibalba.
The Hero Twins eventually tricked and killed the lords of Xibalba. The people of the underworld surrendered to the twins, who sentenced them to pass their time making pottery and other humble tools rather than playing ball. The Hero Twins escaped from the underworld through their cleverness and determination, setting an example that the souls of kings and nobles could try to follow.”
http://www.mythencyclopedia.com/Wa-Z/Xibalba.html
My 2p’s worth
Chris,
All the myths cited above, AND, the Christian one of ‘death/resurrection/transformation’, are working to explain and connect our consciousness to Los Mineros’ ordeal. I cite the Christian myths as meta meaning, because they resonate with most Chileans (and broadly outside of Chile) not just the miners and their families. And one can’t help but believe that when Los Mineros walk into the light, they truly will be transformed. For better or worse, no one will ever look at them the same way again.
Interesting myths, you’ve described, I’ll look into them. I esp. want to know what kind of ball game the Twins were playing. I think maybe you’re projecting the Spirit of Football saga, aren’t you? Haha.
m.